Thursday, April 17, 2014

An Ear For An Era: 1990

Another decade begins. I actually didn't have much of note from 1990. It was another case of the late 80s sounding more like what I think of the 90s than 1990, which sounds more like an extension of the late 80s. If that makes any sense. Like a regression or something. Still though, some stuff was pushing stuff forward. That's what I'm bothering to talk about here. Bah. Words.

Punk rock of 1990. The seeds of the popular punk rock of the mid-to-late-90s continued to be sowed. The self-titled album by Social Distortion is one I didn't actually have back in high school, but I did have their live album (to be released later) and considered myself a fan of several of these songs. This one kind of toes the line between punk and mainstream rock, was released on Epic Records, but it's got a lot of heart. And dig that Johnny Cash cover!

"You're not a punk and I'm telling everyone" "Save your breath, I never was one." Sorry Jawbreaker, but I'm going to file you under punk rock for now because Unfun has lots of <3 about="" album.="" album="" and="" call="" emo="" first="" i="" if="" jawbreaker="" ll="" minute="" my="" or="" post-hardcore="" prefer="" punk="" rock="" s="" something="" songs="" there="" this="" ultimately="" very="" was="" while="" you="">Bivouac
. Then I got Unfun and did not like it at all. It just seemed sloppy by comparison. But in retrospect I have come to quite enjoy a few of the songs on this album. It has most of the aspects I love about Jawbreaker, just in condensed formats.
Jawbreaker, "Down"

I guess I'll keep Fugazi in the "punk rock" section of this. Repeater is the definitive statement of the early works of Fugazi. +3 songs, which I have on vinyl as a 7" by the way! It's a pretty accessible album as far as Fugazi goes. I know it helped make a convert of my friend's little brother, as my friend proudly told me he caught him singing the title track. "Merchandise" is a good summary of the band's position on commercialism in music (and they lived up to that standard forever! Even when I finally saw them in 2001 it was a $6 show with no merch!), there are some great instrumentals featuring the rhythm section, plenty of energy, and what is possibly my favorite Fugazi song of their whole catalog... (here is an insane live version I found...I believe from the Instrument documentary)

Fugazi "Shut the Door"

How about that alternative scene that defined the 90s like how that new wave scene defined the 80s and that disco scene defined the 60s?

I feel like Goo is Sonic Youth's most popular album but I have no idea what that's based on. About as poppy as you get from Sonic Youth I think, which is not very. But "Kool Thing" features Chuck D, so that's pretty damn cool. I think it's the playfulness that gives me that impression. After Daydream Nation it's kind of refreshing to just have faster, simpler songs with almost a punk rock vocal delivery. Not that that's a particularly apt description of the full album, but it fits the mood that I get from it in general with songs like "Mary-Christ" and "My Friend Goo."

I picked up the Treepeople album Guilt Regret Embarrassment the first time I visited Seattle. I had looked for Treepeople all over in Denver but had no luck. I'd been kind of a fan of Built to Spill so I wanted the earlier incarnation. It's definitely a harder edged version of BTS and suits the pre-grunge or whatever era this was. Very lo-fi and rocking. But the melody in there, such as the one in this song, is what keeps me coming back.

Treepeople "Every Time When I Fall Down & My Head Hits the Floor Hard"

They Might Be Giants will go here for whatever reason. Completely different from their surroundings but that may make them the most alternative of all! Flood was their big album (lots of big popular albums this year!) with their big hits. I can't get enough of those big hits, "Particle Man" and "Istanbul (Not Constantinople)" and someday when I have a kid I'm totally going to make him/her listen to "Whistling in the Dark" because as I said earlier, that's the kind of nerdy I want my child to be. (Here they are on MTV performing it...technically in 1989. MTV must have been actually pretty awesome back then if they had this!)

They Might Be Giants "Whistling In The Dark"

The Breeders' album Pod kind of showcased Kim Deal's songwriting skills as she was kind of overlooked by the Pixies. Plus they covered "Happiness is a Warm Gun!" But what I really love about The Breeders are the harmonies the Deal sisters create. And I'll have more to say about Last Splash in 1993.

The Pixies' quality didn't exactly drop off a cliff after Doolittle. Bossanova still has a lot of creativity going into it, plenty of three-star songs, and a few that have lots of energy. It's just not quite there though. I don't know if they were trying to get more popular or what. It feels like a retread of ideas from the earlier albums though without being as quirky or dynamic. Almost going through the motions. Especially toward the end of the album, it just starts to wear off. I feel like I'm being overly critical but they raised the bar so much that it's going to be disappointing when they slide under it.

Speaking of influences on Nirvana, the few Daniel Johnston songs I have from 1990 are among his best. "Some Things Last A Long Time" is very sweet and simple, but the most sweet and simple track is this one. I had some good friends dance at their wedding to a cover of this song and it was just perfect. This is the polar opposite of the cynicism and sarcasm of the coming 90s.

Daniel Johnston "True Love Will Find You In The End"


Other stuff about things:

  • The Vandals' Fear of a Punk Planet took me back to high school a little bit. Closer to the Vandals that I actually listened to then.
  • Strangely the only hip hop I had of 1990 was two Public Enemy songs off Fear of a Black Planet. One is "911 is a Joke," which is an ok Flava Flav song. The other is the gigantic song that reminds me of Do The Right Thing, "Fight The Power." Great song there.
  • I have a bunch of songs from some sort of post hardcore band called Pitchfork. Not bad. I wonder what rating they would get on Pitchfork.
  • A song called "Pizza Power!" TMNT!
  • Some Simpsons songs came up. I was a gigantic Simpsons fan. The whole family was. I'll say more about it when we get to that Simpsons Sing The Blues album in 1991.
  • I kind of got bored listening to Sinead O'Connor's I Do Not Want What I Haven't Got (probably just because I was driving on a sunny day and would have rather listened to something upbeat) but that "Nothing Compares 2 U" cover is pretty phenomenal.
  • Some more Mr. T. Experience...Making Things With Light isn't quite there for me but it's not bad either.
  • Boom Chicka Boom is considered one of those lesser Johnny Cash albums, but it includes a song Elvis Costello wrote for him, "Hidden Shame," so that's rad. 
Next Time:
The 90s kick into high gear! Or whatever! That golden age of hip hop in the 90s I've heard of has to be this age, with albums from De La Soul, Del the Funky Homosapien, DJ Jazzy Jeff & The Fresh Prince, Gang Starr, Main Source, Organized Konfusion, and A Tribe Called Quest. Also another quality Elvis Costello album, Punk rock keeps going different directions with Fifteen, Fugazi, that Jawbreaker album I mentioned earlier, The Jesus Lizard, Nation of Ulysses, Skankin' Pickle!, and Slint... Fishbone has a big popular album, and good ol' Magnetic Fields make their first appearance! Oh and My Bloody Valentine. And some album called Nevermind. At 465, 1991 is the highest number of songs for any year so far (although that number gets way bigger as we move along)

No comments: