The Number One Shows of 2022

Hello There!

Ye Olde Musick Recappe is coming soon, but I wanted to do a quick post about all the great concerts I went to this year, because after a two year drought, I managed to get out to a few great concerts and they were all the best experiences.

I also would like to just thank all of these artists for going out on the road in the first place. It's becoming less and less economically viable to tour in general and always risky with all the disease going around. All that to bring us these great experiences that cannot be replicated. Live music. It's the stuff.

The Best Concerts of 2022 in Denver That I Saw

1. Tears for Fears and Garbage at Levitt Pavilion (5/29/22)

Why It Was #1: This was the first concert I went to since COVID and the first concert I brought Spencer to. I'd bought tickets for the whole family way beforehand and then it seemed like I was going to have to go alone, as the family was not particularly interested. Finally convinced him to go, and he loved it. It rained lightly which was perfect for Garbage, who is only happy when it rains. And Tears For Fears played all the old hits, which are some of the greatest songs ever, and their new album The Tipping Point is so good that I was almost equally excited to hear the new ones as the classics.

For Fans Of: Legacy acts with way more hits than you may realize, adorable dancing children, wanting to rule the world (i.e. Everybody)

1. "Weird Al" Yankovic & Emo Philips at Ellie Caulkins Opera House (6/4/22)

Why It Was #1: Because I got to bring my dad to see Weird Al, and introduce him to the comedy stylings of Emo Philips, who is right up his alley. Because I missed the original Ridiculously Self-Indulgent Ill-Advised Vanity Tour pre-COVID. It's definitely a different experience than the usual craziness with all the costume changes and video effects. I can't remember the last time I laughed as hard as I did during "Albuquerque" when he went on to list as many berries as he could think of. 

For Fans Of: Marionberry donuts, starting over a long song when it's just about over

1. Calexico & DeVotchKa at Levitt Pavilion (6/11/22)

Why It Was #1: It was free and DeVotchKa was added later on, which was an incredible bonus. Brought Spencer to this one as well, and met up with Mark which was fun. Spent most of the show running up and rolling down the hill. 

For Fans Of: Little Miss Sunshine, trumpet solos, getting worn out and dizzy because you're almost 40

1. Esther Rose w/Dean Johnson at Lost Lake (7/13/22)

Why It Was #1: Esther Rose is one of my favorite recent discoveries, so it was lovely to go out and see one of my "pandemic discoveries" out in the real world. It was also my first "normal" show at a small indoor venue (I was one of very few people in masks, which almost brings the experience as a whole down to #1.2). She played most of my favorite songs from her last couple albums. 

For Fans Of: Crying, bad moods

1. The Wild Hearts Tour w/Sharon Van Etten, Angel Olsen, and Julien Baker at Mission Ballroom (8/7/22)

Why It Was #1: Got to hang out with Amy! First time at Mission Ballroom! And uh...look at this lineup. Three artists that distinctly have that ability to smash my heart into a million pieces. In their own distinct ways. The sequencing was perfect for me, as the emotions got stronger and stronger with every passing song across these three performers. Seriously, front-to-back maybe the best lineup I've witnessed. Everyone at the peak of their powers. I still don't know Julien Baker that well but she was brilliant. Angel Olsen put out one of my top albums of the year, and nailed those new songs. And Sharon Van Etten played all my favorite songs, and made some more of her songs into more of my favorite songs. And by the end when we were getting epic jams like "Seventeen" and "Like I Used To" my whole being was absorbed into the music. Invigorating like nothing else.

For Fans Of: Ugly crying in public, ugly dancing with friends in front of a bunch of strangers, opening your heart like you used to

1. Elvis Costello and Nick Lowe w/Los Straightjackets at Levitt Pavilion (8/23/22)

Why It Was #1: Because Elvis is always #1 to me! I hadn't had a chance to catch Nick Lowe before, and it was great to see these two masters especially when they played "Peace Love & Understanding" and "Indoor Fireworks" together. We got reserved seats really close to the front and even though I've seen Elvis Costello so many times it felt extra special with the Nick Lowe Injection.

For Fans Of: Indoor Fireworks, when the smoke gets in your eyes, searching for light in the darkness, Los Straightjackets

1. Rebirth Brass Band at Levitt Pavilion (9/8/22)

Why It Was #1: This was a sort of spontaneous decision. I'd seen Rebirth was going to be playing this free show but didn't seem like it would work out. But then it was a Daddy-Spencer evening after I went to back-to-school night so I asked if he wanted to go and we went. Because at this point he's super into concerts at the Levitt. Even if that mostly means rolling around on the grass while music plays. But I am a fan of Rebirth and it was great to hear their funk stylings. Just more great to see the smile on my son's face while we danced around.

For Fans Of: The spontaneity of New Orleans (i.e. the decision to go there reminded me of all the unplanned adventures I've had in New Orleans)

1. Soul Glo at the Marquis (10/7/22)

Why It Was #1: Soul Glo put out the most intense album of the year in my ears, and they 100% translated it into the hardcore show of the year in my mind. I was joined by Eric and was pit-adjacent and it just made me feel so alive. It was a wild show man.

For Fans Of: Feeling alive?

1. Otoboke Beaver at Globe Hall (10/11/22)

Why It Was #1: If you have heard a note of Otoboke Beaver I think you'll understand why this show was special. They shred. Crazy technical chaotic hardcore combined with perfect choreography. They go hard and they go shopping.

For Fans Of: Shopping, sudden left turns

1. Captured! By Robots at the Hi-Dive (10/29/22)

Why It Was #1: Imagine telling 17-year-old me that I'll eventually get to see this robot band when I'm 39. I think at 17 I would've assumed I wouldn't care about it much at 39. But anyway, this is a band I heard so much about in high school but never was able to see them perform. I think most of their shows were 21+, probably at 15th Street Tavern or something. I assumed they were defunct until Eric casually mentioned the show that night. So I made it happen. And damn was that something. Actual robots playing actual drums and guitar and it's metal in multiple ways. And respect to Jay Vance for having an aesthetic that allowed him to wear a mask while performing. Also, Axeslasher played and that was a great discovery for me.

For Fans Of: Mummies, skeletons, insult-hurling robots, actual robots playing actual music like holy crap

1. The Smile at Mission Ballroom (12/11/22)

Why It Was #1: I've never had a chance to catch Radiohead in concert. At this rate I kind of doubt I'll ever have a chance to catch Radiohead in concert. But at this point, that would be a nostalgia concert. The Smile is more than a side project, it really seems like it's the current major creative outlet for Thom Yorke and Jonny Greenwood. Tom Skinner really works well with those dudes. So this was special. More than just "oh I get to see a couple of the guys from Radiohead." Though that was an aspect of it, watching Jonny just go hog wild on a guitar while Thom does his Thom dance, I know that part of why these guys are special is their more famous old band. But at this point, in 2022, the main thing separating this show and seeing a Radiohead show is seeing the old hits. I would've loved to hear the old hits, but I'm kind of in a weird situation with these guys where even though I've bought and listened to all their albums, nothing in the past 20 years has really stuck on me like the really old hits (Even In Rainbows for some reason). So maybe this was better than seeing Radiohead? Am I disproving my point by repeatedly just making these comparisons though? Anyway. Tom Skinner seems to reinvigorate something in these guys where they are making some super exciting music that I love. They are all operating at such a high level and all three are masters of the craft.

For Fans Of: Radiohead

Annual Post for 2019 Music

Hello dear readers,

I imagine the best way to build up a loyal readership base is to rarely post on this thing. I don't want to overload people, you know? Well I'm sorry to interrupt my silence with the one reliable post I like to make. The music retrospective!

I wanted to list all my favorite albums of the decade but I didn't have much time for that. I still might make a list but not try to write about them yet again because I just wrote about all the things in those yearly retrospectives as well as An Ear For An Era. So it was revisited just a bit ago. I am trying to finish up my top 100 songs of the decade playlist, because that's a fun way to do things and it's somewhat related to another project I'm working on - a podcast! But that's a different entry.

2019 was a year I was on Spotify. It's a weird world. I still purchased vinyl for most of these, I'll try to do so for at least all the albums I love enough to put on a list like this. But the nice thing about streaming services is that very few of these albums are ones I would have known to check out if it wasn't so easy. Most of them were things I gave a chance on and got hooked onto. My tastes seem to be drifting off in other directions. I'm more interested in something that probably has a name but I will call singer-songwriter-R&B. Like, soul that is more of an individual statement by the artist? I don't know, but I was into a lot of that instead of my usual indie rock. And a renewed interest in punk rock, particularly that fronted by women. I guess I'm starting to get somewhat bored by bearded dudes that look like me.

I was also less into hip hop this year. I liked a few albums but none cracked this list for me. Maybe my brain just couldn't process it enough. Having said that, there are a few hip hop albums I highly recommend in the Honorable Mentions list below.

So here comes the list. There are fourteen. I'm not ranking them this year because I'm back in the "ranking something so subjective seems so silly" mode. There was also no clear #1. If it's on this list, I found it very compelling and found myself going back to it a lot this year. Call it a 14-way tie. It's in more-or-less chronological order.

Sharon van Etten - Remind Me Tomorrow
She took what I loved about some of her songs from previous albums and made a full album of it. Just great get-your-fists-pumping music with lots of passion and empathy. I don't have a lot of words about this but I was very into it.

Le Butcherettes - bi/MENTAL
I just found this band last year when they opened up for Hot Snakes. I was blown away by their performance. This is their first new album since then and it's a quite good payoff. Good chaos rock full of righteous rage. Empowering words, and a musical style that fits somewhere between DC angular hardcore and Detroit jangle rock and hits you in the jugular? Does that make any sense when describing a Mexican punk band?

Adia Victoria - Silences
So badass. Kind of reminds me of listening to Tom Waits, even though it's pretty different. At least vocally. I think she could play Tom Waits songs and Tom Waits could play Adia Victoria songs and I wouldn't bat an eye. There's a knowingness to her vocals and lyrics. Kind of the blues with that Waits style of drunken music that accompanies the vocals but not quite in lockstep. More of a companion that understands you and shares your world view but doesn't need to talk about it all the time.

Kelsey Lu - Blood
Kind of reminds me of why I first got into Jesca Hoop. Very similar vocal delivery. Very haunting. Probably a little more range though. Sometimes she goes off and reminds me of a singing saw. That with the strings that come naturally with her cello background feels like it's swirling around you like a tornado but not, like, damaging anything. You know?

Jamila Woods - Legacy! Legacy!
Maybe my favorite sung album of the year. And the hip hop beats just pull me along. I'm having a hard time describing why I love this album, it just feels so right. It's soul and it's hip hop and I know those genres have spent so much time together, and I don't know why this is unique but it just is. It's like nothing else even if it's like other things. Definitely making sense here.

Otoboke Beaver - Itekoma Hits
This is so fresh to me. The bursts of noise, it reminds me of the punk I was into in the early 2000s. Like Refused. That level of precision to the explosions of noise, but this is a new noise. It has a youth factor about it. It takes me back to high school even though that was half my life ago. Infectious energy with frequent start/stop tempos. I think that basically explains the awesomeness that is Otoboke Beaver.

black midi - Schlagenheim
Mathy. It gets me. From Battles to Deerhoof to The Ex, rhythm section driven chaos is extremely my jam, and we can put black midi on that list. I don't feel like working anything else about this. If you haven't heard of them but like those listed bands you should check them out.

Purple Mountains - Purple Mountains
It reminds me of great 70s singer songwriters of great wit such as Harry Nilsson and Warren Zevon, all of whom are dead. I always meant to check out Silver Jews but they remained on that list of someday. Someday passes at some point. When David Berman passed, I finally checked out his work, starting with this solo effort released very shortly before he took his leave. It's an eerie listen to hear these lighthearted songs of depression because it feels like a suicide note. But it's so catchy and inviting. It makes the whole thing so damn disturbing but irresistible.

Gauche - A People’s History of Gauche
It sounds like Sleater-Kinney at first and then it evolves into sounding like Black Eyes. Very adventurous and wonderful. I mourn the Priests hiatus just a little bit less knowing it could lead to more Gauche. Punky and funky and the right kind of off-putting.

Bleached - Don’t You Think You’ve Had Enough?
I feel like this was very underappreciated. Bleached was always very poppy in their punk, and here they leaned even further into that to a somewhat Blondie-esque sound. I loved it. The whole album is catchy, maybe catchier than most of their older stuff. And when they do decide to rock, such as on “Daydream” and the payoff of “Shitty Ballet” (a song I don’t care for until suddenly I love), it’s that much better.

Sleater-Kinney - The Center Won’t Hold
It might not be the best Sleater-Kinney album of the decade, but there was something very compelling about it that I kept listening to it. And the 1-2-3-4 punch of the last four songs beginning with “Bad Dance” is a real knockout. If that were an EP it would be right up there. It speaks so clearly to the urgency of this moment in history. I just wish it had worked out with Janet Weiss.

Baby Rose - To Myself
Uncanny how much she sounds like Nina Simone but still so modern. Beautiful, sometimes heartbreaking, and always with a haze of “cool” over everything. This would be great in a movie soundtrack to really elevate a scene of intensity

Nick Cave & The Bad Seeds - Ghosteen
It’s just so vulnerable. So moving. A really heavy listen. The last album Skeleton Tree was one of my top albums of the decade and I can’t decide if this one is even better. Every time he sings the title phrase in the song “Waiting for you” I just get chills and have to stop whatever I’m doing. It might hit closer to home now that I’m  a father, and I hate to say that because great art can make you feel things regardless of your personal context. But an already amazing album is deepened by the very heavy weight of its subject matter and knowing what happened to Cave and his family. You have to be ready to listen to this, though there is no preparing for what it contains.

Kim Gordon - No Home Record
I didn’t give myself enough spins on this one, but it was so great when I did. I was always partial to the Kim songs on Sonic Youth albums, and her other projects (like all SY related side projects) were very avant garde. This solo album strikes the same balance the great SY albums have, where it’s plenty weird and interesting but there’s a pop anchor to grab onto. But very different in other ways. More electronic in an industrial sense, without sounding like anything else I’ve really listened to. Maybe brief hints of Nine Inch Nails, but it sounds very new.

Those are the ones. Here are some honorable mentions.

As mentioned above, Malibu Ken, Little Simz, Rapsody, and Danny Brown. Plus People Under The Stairs.

Mike Krol, FEELS, Uranium Club, Petrol Girls, Titus Andronicus, Yeesh, Battles.

Better Oblivion Community Center, Stella Donnelly, Wilco, Angel Olsen.

Nekhane, Helado Negro, Calexico & Iron & Wine, Bill Callahan, Jesca Hoop, Esther Rose.

Mekons, Hot Chip, Pixies, New Pornographers.

Carly Rae Jepsen, Charly Bliss, Kitty Kat Fan Club.