Saturday, September 26, 2015

An Ear For An Era: 2006

Hello there! Long time!

These are going to be spread out quite a bit now. Because we are entering the world of me acquiring all of the music. Full on.

2006 was a rough year. I lost a good friend and my great grandmother.
2006 is also the last time I've been to Chicago (other than driving through). I went to the Touch & Go Records anniversary show and saw tons of bands I never thought I'd see like Shellac, The Ex, Scratch Acid, and lots more. That was awesome.
I also had plantar fasciitis. That sucked for going to a big music festival.
That's mostly it. There is too much music to talk about so I'm kind of pushing that off here. But okay, let's go.

I made a change here for 2006 because it's the first full year that I had this computer I'm using right now, so I was able to divide it up by when I added stuff to my library. So I shuffled everything I added in the first quarter of the year, then second, etc. And then all the stuff I added after the year had ended. Which was a ton in this case. It kind of made it weird because I knocked out all the stuff that dominated my year at the beginning. Because in 2006 I listened obsessively to that early 2006 stuff all year. And then the stuff I added afterward I barely listened to.

Anyway. This order may be random.

Early on in the year I felt like women were putting out a lot of great music. In fact, when I made my end of the year mix I dedicated a full CD to female fronted jams. In retrospect, that was kind of silly because they don't need to be segregated out. That seems a little insulting now. So I apologize! But I will still segregate them here to point out how many great female artists put out great music in 2006. And/or I discovered a lot of great women as my mind was quickly expanding in the music world at this time.

It started with Cat Power. The Greatest. I hadn't heard of her before this but such a strong album of melancholy. And then Beth Orton. Comfort of Strangers had me obsessed with her singing voice. I can't quite put my finger on it but it just sounds so amazing to me. It also helped that we saw her do a sound check at the Gothic Theater, which has amazing sound, and it just filled the place. I also quite enjoyed Katharine Whalen's solo album Dirty Little Secret. She was from Squirrel Nut Zippers. She's got a great voice and this album employs it in various interesting ways. El Perro Del Mar was interesting, a sad sad version of girl pop.  Jess Klein has an incredible voice reminiscent of Emmylou Harris. I already was a fan of Nina Nastasia but On Leaving might be my favorite album of hers. Just short, sweet, a bunch of slices of life. My favorite song is "Our Day Trip," which kind of says it all. It's not about moving away or changing your life, it's about a day trip. Just taking a day off.

Disclaimer: Several of these British artists' albums didn't come out in the states until 2007. I set the release date as 2006 anyway, even though my experience of this stuff was just various singles that came in out 2006 and then the full album in 2007. One such example: The Pipettes may have had their music written by a man, but I just loved them for their personalities and pizazz and singing as much as the music. Before it became kind of an overdone thing, they had that 60s throwback stuff DOWN. I saw them live and it was magical. Rosay was my favorite. Did you have a favorite?

The Pipettes "Pull Shapes"

Similarly, Lily Allen's debut Alright, Still didn't come out here until 2007 even though we were clamoring for it on the strength of her MySpace popularity! But I quite like "LDN." And "Smile" is nice now that it's been so long since it was overplayed. And her sassy songs about stupid boys are a lot of fun too.

Same with Amy Winehouse! Oh man, was she special. Back to Black is so much more than "Rehab." Do yourself a favor if you only know "Rehab," listen to this album.

I'm going to use Outkast as a segue here because the highlight of Idlewild was my introduction to one of my favorite female artists, Janelle Monae. On "Call The Law," there's a little bit of Big Boi on there but it's really just a showcase of Janelle Monae's vocal prowess. She completely steals the show. I didn't even know the half of it, of course. Her concept albums that would follow are so much more than a powerhouse voice. But this was my first exposure to her and just knocked me out.

Outkast featuring Janelle Monae "Call The Law"

Food and Liquor by Lupe Fiasco was a great intro to a great talent who kind of fell off. Or maybe I'm the one that fell off. Because as much as I love "Daydreamin'," some of it seems a little too on-the-nose (I am aware I used that same expression below for Neil Young). But I guess I've felt the same way about The Coup and when you want to get your message out to the masses you kind of have to.

J Dilla's last album from his lifetime was the amazing Donuts. Such a great collection of beats that I now recognize on stuff that came out later by great MCs. It was nice to run to. And then The Shining, his first posthumous album with great artists such as Pharoahe Monch (I love that song "Love") and Black Thought. It is no wonder he is so desperately missed in the music world. A rare talent.

My first non-alternative-or-whatever hip hop album was Fishscale by Ghostface Killah. I just wanted something different and this one got good reviews or whatever. So I dove right in. And I loved it for the most part! Especially the more soul songs, but especially "The Champ," which became my favorite song to pump be up for kickball.

Remember how inescapable Gnarls Barkley was? I revisited this inescapability by having tons of versions of "Crazy" on my computer so it came up lots of times. Besides that, St. Elsewhere was a fantastic crossover album that everybody loved.

Teddybears' Soft Machine is a classic party record as far as I'm concerned. Great Swedish dance music featuring the likes of Neneh Cherry and others, the definitive version of "Cobrastyle," and of course Iggy Pop on "Punkrocker," which is maybe my favorite song to run to.

The Lawrence Arms, one of my favorite bands of all time that I'm sure I've written about many times here, put out Oh! Calcutta! and it was just strange to me. It was their most straightforward punk rock album at a time when I was getting out of the business of punk rock (not that I ever did or will completely get out of that business!). It's a favorite of the band based on how much of the stuff they play in concert since it came out, but I didn't get into it nearly as much as everything else they put out. They even put out an album recently and I love it and immediately was drawn to it more than this one. But I really think I need to just give it some more spins. The same goes for Lawrence Arms side project The Falcon. Unicornography continues in that direction and I'm just not as much into it.

I had a similar reaction to Happy Hollow by Cursive. They'd put out these amazing personal albums where Tim Kasher would just stare into his own soul and bare it for all of us and poke and prod it with hot things, and this one was just an attack on the bible belt. Which isn't unwarranted, it just felt like a cheap and easy subject. But it's not like he can keep making albums about himself. In retrospect, it's still a very good album. It just will never hit that place in my heart reserved for Domestica and The Ugly Organ.


Calexico's first album since I officially became a fan was probably the least Calexico-sounding album they put out. Garden Ruin was closer to indie rock than the others, but they did it so effectively and with quite a big of grace that it turned out really strong. Particularly the closing track, which is a perfect fusion of the two genres for a truly epic, building track.

Calexico "All Systems Red"

Also great at epic songs was Yo La Tengo. And great at album titles: I Am Not Afraid of You and I Will Beat Your Ass is one of the best album titles ever. This was when I really personally started getting into YLT and the way they have 10+ minute songs that you want to go for hours, along with nice shorter pop songs. But the best for me was this sad song. As discussed, I had some tough times this year and the best song for feeling sad was "Black Flowers."

Yo La Tengo "Black Flowers"

The Gothic Archies' Tragic Treasury was a great collection of Stephin Merritt songs based on the Lemony Snicket books. Those dudes are friends! And similarly fantastic with linguistics! Daniel Handler actually came into work and performed one of these songs ("Scream and Run Away") on air, and it was really really awesome.

The Crane Wife may be The Decemberists' crowning achievement. Or maybe that's just because it's the first one I got. But it is a very special album with epic folk songs and catchy angry songs and lovely other songs. Protest music of the 21st century!

I finally got into The Mountain Goats (I am now a devotee and get everything!) with Get Lonely, a lovely album. The only reason I really even got into them though was because they had a music video directed by Rian Johnson, who I admired for Brick. But the song the video was for turned out to be a great slice of life, and just a great way to get into a great band (and a great director who would go on to direct an upcoming Star Wars movie!).

The Mountain Goats "Woke Up New"

My number one album officially at the time was The Life Pursuit by Belle and Sebastian. I still love this one quite a bit. It dominated my year. Kind of more rock than they'd previously done, maybe a little more pop and a little less precious.

However, my real number one in retrospect is one that topped everyone else's lists that year. TV On The Radio just blew up with Return to Cookie Mountain and they were one of my favorite bands at the time. The only reason I put them at #2 at the time was because it came out later in the year and I'd spent all year getting obsessed with the pop sounds of Belle & Sebastian. Plus its positivity helped me through tough times. But Return to Cookie Mountain is a monolith of a record, it has so much happening, and is what got me started on all my hyperbolic talk about TV On The Radio being the most important band of the decade or whatever and all that. I particularly love the four song stretch of Wolf Like Me - A Method - Let The Devil In - Dirtywhirl. The way they build on each other and ebb and flow is just perfect. And particularly particularly "Let The Devil In" with its primal cleansing expression of pure emotion is still one of my favorite songs ever made.

TV On The Radio "Let The Devil In"

Observations. Lots of stuff will go here.
  • Arctic Monkeys! They actually were the first I listened to here. I thought they were kind of overrated at the time but it was a blast to revisit them.
    • Other British/European bands had a similar sound. I kind of got sick of that sound in 2006 but I enjoyed all of them quite a bit this time around. Dirty Pretty Things, Brakes, The Fratellis, Mando Diao, etc.
  • Ray Davies solo! fun!
  • They just announced a reissue of the first Jenny Lewis solo album. She has a lovely voice but I was a little underwhelmed by the lyrical content. Still enjoyable.
  • Loose Fur. Jim O'Rourke and Jeff Tweedy! Having a lot of fun.
  • Kris Kristofferson put out another album and it was solid. I saw him with my dad on the tour for this album!
  • Sonic Youth was rather excellent on Rather Ripped.
  • Remember Neil Young and his Living With War album about impeaching George W Bush? I dug it at the time but now it feels a little too on-the-nose.
  • I kind of dug Peaches' dirty response to hating on W though. Impeach My Bush indeed.
  • Raconteurs were pretty good I guess!
  • Elvis Costello put out an album with Allen Toussaint about Hurricane Katrina and its aftermath. It was quite lovely.
  • Supersystem were awesome.
  • Game Theory saw The Roots pissed off, and it made for some very compelling music. I really like this stage in their career. It was also around the time I finally got into them so...
  • The Return of Dr. Octagon was a scam! Kind of! I guess it is officially legit but I remember getting so mad at that album. I got it because it was The Return of Dr. Octagon, but then found out it was more of a remix album of a few demos or something. I don't remember the whole story. But it's weak as far as Kool Keith albums go, doesn't even include that much of him, and is more electro than anything else. It's weird.
  • ...Nogatco Rd. was much better. A more legitimate Kool Keith sci-fi release. And look at that title in reverse if you didn't figure it out. The REAL return of kind-of Dr. Octagon.
  • Weird Al. Straight Outta Lynwood. Yet another classic! Particularly for "Trapped In The Drive Thru," which my wife couldn't stand but I think is brilliant.
  • I'm going to put this here. I just realized that one of the bonus tracks on Return to Cookie Mountain was an El-P remix of "Hours." Was that the first time they worked together? Because TVOTR backed Run The Jewels on Colbert and it was so awesome and they need to work together more.
  • I wasn't super into Pieces of the People We Love by The Rapture at the time, because I wanted it more rock like the amazing previous album...but upon revisit, I'm pretty impressed with it. It's quite fun.
  • American V: A Hundred Highways by Johnny Cash was just heartbreaking. "Rose of My Heart" was amazing. Rest in peace.
  • Ludacris being serious can be pretty damn good. Release Therapy has "Tell It Like It Is" which is a great raw expression from him.
  • Modern Times by Bob Dylan was pretty good!
  • Remember Lady Sovereign? I quite enjoyed her at the time but now I know more about hip hop and find her a bit bland and trying-too-hard.
  • I only have one Cunninlynguists album, A Piece of Strange, but I like it a lot and need to get more. And I need to listen to this one more.
  • Rhymefest. Blue Collar is a catchy record. He is a very enjoyable rapper. I remember we got mad at him for homophobia a couple years later. And I stand by that. But why do we hold some rappers to different standards than others? We just have high hopes for some I guess.
  • ...I did like that P.O.S. album and he had a good statement about that on his.
  • Rock Plaza Central is great too! A concept album about robot horses deserves more than just a bullet point but damn there is a lot of music to cover. If you are reading this, listen to "Anthem for the Already Defeated," one of my favorites!
  • Islands
  • Cut Chemist!
  • Tom Waits put out that three disc compilation Orphans: Brawlers, Bawlers, and Bastards. Too much to even begin to write about it. It has an awesome Daniel Johnston cover though. Among many other things.
  • I thought revisiting Yellow House by Grizzly Bear would make me love it but I still didn't think it was all that special. I don't know why, I think I'm supposed to like it but it sounds too fussed over for me. I think I like their next album more though.
  • I didn't get Ta-Dah by Scissor Sisters until later in life even though I was a fan of their first album and got subsequent albums. Just the idea of them not doing dance music didn't seem appealing to me. But of course it is a great album. Like good Queen songs kind of?
  • Hank III's best album is probably Straight to Hell. That hidden 42 minute track is something that just has to be heard.
  • Hot Chip! So good!
  • More amazing women! Bat For Lashes! Joanna Newsom! Neko Case! Gossip! Nicole Atkins (just an EP but a great EP)!
  • Peter Bjorn & John! Come for the "Young Folks," stay for the rest! Stay forever!
  • How about The Knife!
  • Model/Actress was a project from a dude from Brainiac. It sounded great. All we got was an EP.
  • I wanted to run to LCD Soundsystem's 45:33 Nike track thing but it didn't work out. Awesome set of music though.
2006 Mix From 2006:
It Was 2006
1. Gnarls Barkley "Go-Go Gadget Gospel"
2. Polysics "Toisu!"
3. Model/Actress "Wait, What?"
4. The Streets "Memento Mori"
5. Thom Yorke "The Clock"
6. Elvis Costello & Allen Toussaint "Who's Gonna Help Brother Get Further?"
7. Belle and Sebastian "Dress Up in You"
8. Yo La Tengo "Black Flowers"
9. Mr. Nogatco "Bionic Fuse"
10. Ludacris "Tell It Like It Is"
11. The Raconteurs "Intimate Secretary"
12. Loose Fur "The Ruling Class"
13. Kris Kristofferson "In The News"
14. Neil  Young "Let's Impeach the President"
15. The Gothic Archies "Shipwrecked"
16. Built to Spill "Liar"
17. TV On The Radio "Let The Devil In"
18. Sonic Youth "Incinerate"
19. The Lawrence Arms "Jumping the Shark"
20. Calexico "All Systems Red"
21. Johnny Cash "Rose of My Heart"

It Was 2006: The Women (I really do apologize for doing it this way!)
1. Cat Power "Empty Shell"
2. The Dresden Dolls "Sex Changes"
3. Peaches "Two Guys (For Every Girl)"
4. CSS "Let's Make Love and Listen to Death From Above"
5. Yeah Yeah Yeahs "Gold Lion"
6. Lady Sovereign "Public Warning"
7. The Pipettes "We Are The Pipettes"
8. Neko Case "John Saw That Number"
9. Nina Nastasia "Our Day Trip"
10. Lily Allen "LDN"
11. Katharine Whalen "Want You Back"
12. Outkast featuring Janelle Monae "Call The Law"
13. Beth Orton "Shopping Trolley"
14. Jenny Lewis with the Watson Twins "Rabbit Fur Coat"
15. El Perro Del Mar "Dog"
16. Joanna Newsom "Monkey & Bear"
17. Cat Power & Karen Elson "I Love You (Me Either)"

Next Time:
2007 has long been declared my favorite year of music. Was it just because I was at such a level of consumption that I discovered a lot of great albums then, or was it actually that good? Without even looking ahead...of Montreal, Battles, Jay-Z, Kanye West, Jesca Hoop, Shellac, LCD Soundsystem, Animal Collective, Talib Kweli, M.I.A., Okkervil River...