Ye Olde Musick Recappe is coming soon, but I wanted to do a quick post about all the great concerts I went to this year, because after a two year drought, I managed to get out to a few great concerts and they were all the best experiences.
I also would like to just thank all of these artists for going out on the road in the first place. It's becoming less and less economically viable to tour in general and always risky with all the disease going around. All that to bring us these great experiences that cannot be replicated. Live music. It's the stuff.
The Best Concerts of 2022 in Denver That I Saw
1. Tears for Fears and Garbage at Levitt Pavilion (5/29/22)
Why It Was #1: This was the first concert I went to since COVID and the first concert I brought Spencer to. I'd bought tickets for the whole family way beforehand and then it seemed like I was going to have to go alone, as the family was not particularly interested. Finally convinced him to go, and he loved it. It rained lightly which was perfect for Garbage, who is only happy when it rains. And Tears For Fears played all the old hits, which are some of the greatest songs ever, and their new album The Tipping Point is so good that I was almost equally excited to hear the new ones as the classics.
For Fans Of: Legacy acts with way more hits than you may realize, adorable dancing children, wanting to rule the world (i.e. Everybody)
1. "Weird Al" Yankovic & Emo Philips at Ellie Caulkins Opera House (6/4/22)
Why It Was #1: Because I got to bring my dad to see Weird Al, and introduce him to the comedy stylings of Emo Philips, who is right up his alley. Because I missed the original Ridiculously Self-Indulgent Ill-Advised Vanity Tour pre-COVID. It's definitely a different experience than the usual craziness with all the costume changes and video effects. I can't remember the last time I laughed as hard as I did during "Albuquerque" when he went on to list as many berries as he could think of.
For Fans Of: Marionberry donuts, starting over a long song when it's just about over
1. Calexico & DeVotchKa at Levitt Pavilion (6/11/22)
Why It Was #1: It was free and DeVotchKa was added later on, which was an incredible bonus. Brought Spencer to this one as well, and met up with Mark which was fun. Spent most of the show running up and rolling down the hill.
For Fans Of: Little Miss Sunshine, trumpet solos, getting worn out and dizzy because you're almost 40
1. Esther Rose w/Dean Johnson at Lost Lake (7/13/22)
Why It Was #1: Esther Rose is one of my favorite recent discoveries, so it was lovely to go out and see one of my "pandemic discoveries" out in the real world. It was also my first "normal" show at a small indoor venue (I was one of very few people in masks, which almost brings the experience as a whole down to #1.2). She played most of my favorite songs from her last couple albums.
For Fans Of: Crying, bad moods
1. The Wild Hearts Tour w/Sharon Van Etten, Angel Olsen, and Julien Baker at Mission Ballroom (8/7/22)
Why It Was #1: Got to hang out with Amy! First time at Mission Ballroom! And uh...look at this lineup. Three artists that distinctly have that ability to smash my heart into a million pieces. In their own distinct ways. The sequencing was perfect for me, as the emotions got stronger and stronger with every passing song across these three performers. Seriously, front-to-back maybe the best lineup I've witnessed. Everyone at the peak of their powers. I still don't know Julien Baker that well but she was brilliant. Angel Olsen put out one of my top albums of the year, and nailed those new songs. And Sharon Van Etten played all my favorite songs, and made some more of her songs into more of my favorite songs. And by the end when we were getting epic jams like "Seventeen" and "Like I Used To" my whole being was absorbed into the music. Invigorating like nothing else.
For Fans Of: Ugly crying in public, ugly dancing with friends in front of a bunch of strangers, opening your heart like you used to
1. Elvis Costello and Nick Lowe w/Los Straightjackets at Levitt Pavilion (8/23/22)
Why It Was #1: Because Elvis is always #1 to me! I hadn't had a chance to catch Nick Lowe before, and it was great to see these two masters especially when they played "Peace Love & Understanding" and "Indoor Fireworks" together. We got reserved seats really close to the front and even though I've seen Elvis Costello so many times it felt extra special with the Nick Lowe Injection.
For Fans Of: Indoor Fireworks, when the smoke gets in your eyes, searching for light in the darkness, Los Straightjackets
1. Rebirth Brass Band at Levitt Pavilion (9/8/22)
Why It Was #1: This was a sort of spontaneous decision. I'd seen Rebirth was going to be playing this free show but didn't seem like it would work out. But then it was a Daddy-Spencer evening after I went to back-to-school night so I asked if he wanted to go and we went. Because at this point he's super into concerts at the Levitt. Even if that mostly means rolling around on the grass while music plays. But I am a fan of Rebirth and it was great to hear their funk stylings. Just more great to see the smile on my son's face while we danced around.
For Fans Of: The spontaneity of New Orleans (i.e. the decision to go there reminded me of all the unplanned adventures I've had in New Orleans)
1. Soul Glo at the Marquis (10/7/22)
Why It Was #1: Soul Glo put out the most intense album of the year in my ears, and they 100% translated it into the hardcore show of the year in my mind. I was joined by Eric and was pit-adjacent and it just made me feel so alive. It was a wild show man.
For Fans Of: Feeling alive?
1. Otoboke Beaver at Globe Hall (10/11/22)
Why It Was #1: If you have heard a note of Otoboke Beaver I think you'll understand why this show was special. They shred. Crazy technical chaotic hardcore combined with perfect choreography. They go hard and they go shopping.
For Fans Of: Shopping, sudden left turns
1. Captured! By Robots at the Hi-Dive (10/29/22)
Why It Was #1: Imagine telling 17-year-old me that I'll eventually get to see this robot band when I'm 39. I think at 17 I would've assumed I wouldn't care about it much at 39. But anyway, this is a band I heard so much about in high school but never was able to see them perform. I think most of their shows were 21+, probably at 15th Street Tavern or something. I assumed they were defunct until Eric casually mentioned the show that night. So I made it happen. And damn was that something. Actual robots playing actual drums and guitar and it's metal in multiple ways. And respect to Jay Vance for having an aesthetic that allowed him to wear a mask while performing. Also, Axeslasher played and that was a great discovery for me.
For Fans Of: Mummies, skeletons, insult-hurling robots, actual robots playing actual music like holy crap
1. The Smile at Mission Ballroom (12/11/22)
Why It Was #1: I've never had a chance to catch Radiohead in concert. At this rate I kind of doubt I'll ever have a chance to catch Radiohead in concert. But at this point, that would be a nostalgia concert. The Smile is more than a side project, it really seems like it's the current major creative outlet for Thom Yorke and Jonny Greenwood. Tom Skinner really works well with those dudes. So this was special. More than just "oh I get to see a couple of the guys from Radiohead." Though that was an aspect of it, watching Jonny just go hog wild on a guitar while Thom does his Thom dance, I know that part of why these guys are special is their more famous old band. But at this point, in 2022, the main thing separating this show and seeing a Radiohead show is seeing the old hits. I would've loved to hear the old hits, but I'm kind of in a weird situation with these guys where even though I've bought and listened to all their albums, nothing in the past 20 years has really stuck on me like the really old hits (Even In Rainbows for some reason). So maybe this was better than seeing Radiohead? Am I disproving my point by repeatedly just making these comparisons though? Anyway. Tom Skinner seems to reinvigorate something in these guys where they are making some super exciting music that I love. They are all operating at such a high level and all three are masters of the craft.
2014 was more doing this project. I also went to Costa Rica. That was pretty awesome.
This will be quick. I almost feel like I'm just getting these out of the way. With a baby coming soon, my focus is going to be in other places. I'm hoping to continue to use this blog to relate music to what my new life will be. Whatever that means.
So real quick, 2014.
Oh and my stupid itunes synching app stopped synching play counts/times so it's harder to keep track. Stupid thing.
I'm going to just do this like a quick recap where I write a few sentences about just a few of the many albums I listened to here. Not really in any order. Well the order is approximately the order I listened to stuff in, which is a somewhat randomized version of the order they were released in (shuffling all the albums of a given quarter)
Sharon Jones & The Dap Kings - Give the People What They Want. I saw them live on this tour. It was the last time I would see them. WEWANTSHARON I remember being the thing. The hash tag thing. She was always amazing. Always. This album is as powerful as anything she did. RETREAT!
Neneh Cherry - Blank Project. I got this one because I so dug her album with The Thing. And because Robyn's on a track. It's pretty hot stuff that you might have forgotten about so give it a spin.
Vertical Scratchers - Daughter of Everything. I just recently picked this one up because I just recently heard of it. Another Schmersal project (John of Enon and Brainiac and several other things), this one is high energy and a lot of fun. I should give it another listen and have something constructive to say!
The Lawrence Arms - Metropole. Who would have thought, huh? My favorite band in college, I loved all their stuff back then, and then I got out of college and they put out what might be their most popular album (Oh Calcutta) and I kind of let my fandom wane even though I think I do quite dig that one...but that all leads to this, almost a full decade later. Metropole. They're getting older, I'm getting older, they're singing about it, I'm relating just as I did in college. Strikes all those same old nerves. What a great, great album.
The Lawrence Arms, "The YMCA Down The Street From the Clinic"
St. Vincent - St. Vincent. What a coincidence, she has a new one now. And I'm seeing her live this January. One of, if not the last, show I go to before fatherhood. It will be a hoot! This self titled album might be my favorite of hers, as she continued her evolution to art rock god in the vein of David Byrne or something like that (easy comparison to make since she had that collab album with him). Her view of the world is so New York, so Lou Reed and Laurie Anderson, and she absolutely shreds on guitar. I dig the new one but I absolutely love this album.
St. Vincent, "Digital Witness"
Open Mike Eagle - Dark Comedy. I think I got a random email from Mello Music Group in 2014 with a free download. See, I'd dug some of that label's stuff and they put out some quality free tracks on bandcamp. This one intrigued me because it featured noted funny person Hannibal Buress. It turned out to be the Open Mike Eagle song "Doug Stamper (Advice Raps)" and it was quite funny. Eventually I picked up the album and it is so smart and funny and creative and I can't describe him as well as he does on the opening song "Dark Comedy Morning Show" when he sing-raps "For those who haven't heard of me, I'm bad at sarcasm so I work in absurdity." Eventually I saw him perform live and after several drinks I told him how much I dug his stuff and shook his hand twice. Hopefully he just found me amusing.
Open Mike Eagle, "Qualifiers"
People Under the Stairs - 12 Step Program. I like all of the things that they do, this one was notable for its "1 Up Til Sun Up" song that samples mario and zelda games. And that creepy "Pictures On My Wall" song.
Tune-Yards - Nikki Nack. I'm going with normal spelling. I think they are finally going with normal spelling on their new one that comes out next year. She just keeps pushing forward creatively, she's no longer just dealing in loops but still engrossing. I think I might like whokill a little more but this one is up there.
The Bruce Lee Band - Everything Will Be Alright,My Friend. Mike Park doing what he does. Great ska punk from the man that mastered ska punk 20 years before.
"Weird Al" Yankovic - Mandatory Fun. This one's great because it's a Weird Al album. I think it was his first to hit #1 on Billboard or something? He made all those videos and really captured the attention of the Internet and the Internet returned the favor by paying for the album I guess. At this point I more or less am back to knowing the songs he's parodying because I don't go out of my way to avoid those popular songs. I still don't always know who does what but I can say "I think that's that one song."
TV on the Radio - Seeds. Masters of earnestness and dense soundscapes continue to do their thing too. They stopped pushing the envelope a couple albums ago but as I always say about them, the playing field they have created for themselves is a rich land and they explore interesting depths and whatever other fancy words you want to insert here.
Run The Jewels - Run The Jewels 2. This is probably their crowning achievement. Full aggression, full of politics, entertaining, etc.
I probably also should have written about Spoon, Lia Ices, Leonard Cohen, The New Pornographers, and Shellac. All great too.
Next time I will tackle 2015 and that will really feel like modern times. Grimes, !!!, Sufjan Stevens, Carly Rae Jepsen, Sleater-Kinney, Courtney Barnett, Dilly Dally, Vince Staples, and Kendrick Lamar did some amazing things that year and it's probably still fresh in your mind. Still...nostalgia?
Let's close out this millennium with style! Swag! Something special! Exclamation points maybe!
1999 was the year I got my driver's license and then broke my leg three days later playing soccer. One thing I remember from that ordeal was that the TV was messed up in my hospital room and so I requested that my parents bring me my discman and the CDs that were in the 6 disc changer in the car. I'd put 6 of my favorites in because duh, I got to drive and I was excited. I know Chumps on Parade was on there, probably Suicide Machines and Skankin' Pickle as well. And probably some Less Than Jake. Etc. Another thing I remember about the ordeal was that I decorated my crutches and walking cast with band stickers. All of this is to emphasize how much skapunk defined this experience for me, music was my life. My own music.
1999 was also the year my brother went to college. We drove down to Arizona with him to help him move in. I don't remember much about that trip except that I must have just gotten the Dan Potthast album Eyeballs right before, because I listened to that CD repeatedly on that trip. I was obsessed with that album. It emphasized the lyrical skills he had, the stories he told with multiple meanings, the clever way he turned a simple story into an analogy about life. And cute love songs, there are plenty of those as well. With Rivers Cuomo/Brian Wilson levels of insecurity. I wrote him a fan letter by hand and sent it in the actual mail and he wrote me back by hand. Such a cool guy that Dan Potthast is! And he's still at it! His band MU330 also put out two albums in '99 because he was so damn prolific in these days. There was a Christmas album that I always put on around Christmas even 15 years later (that wasn't part of this project because I've excluded Christmas music, not wanting to listen to the stuff in January-November) and their self-titled album. I remember this one being new, getting the album at that show I spoke of in a previous entry. The production on it was a little odd, a little lo-fi for MU330, but yet another showcase of Dan P's increasingly personal lyricism.
The Hippos improved when they put out Heads Are Gonna Roll. They shed their Reel Big Fish copping style for a synthy 80s flavored skapunk. Like The Cars meet skapunk. This time I listened to it while running my first half marathon and still really like their cover of "Always Something There to Remind Me."
The next album that came up during the half marathon was Fun in the Dark by Groovie Ghoulies. I don't know why I never got more of their albums because this one has been a favorite of mine for a long time. I always bust it out around Halloween time. It's just perfect spooky-ish pop punk. Spooky in the 50s horror/sci-fi style and pop punk in the 70s Ramones style. I'm glad it came up during October because that was perfect, and I'm glad it came up during the race because it was quite motivating.
One album from this era that I loved at the time and hadn't revisited in a long time but it all came back when I did was Hopeless Romantic by The Bouncing Souls. In '99 I enjoyed the earlier Souls records but they were both from a million years ago (i.e. from before I knew about them) and Hopeless Romantic was the one that came out while I was into them. So to me it feels a bit more mature but not too mature. Some sentimental tracks and some fun tracks. "Bullying The Jukebox" takes me right back to the time I saw them with my brother. They were playing with Less Than Jake and we saw them in downtown Denver. My parents dropped us off there and picked us up at Hooters (the only place we could find with a pay phone...remember pay phones??). Anyway, I'm getting off topic. They played and the singer just bounced around stage and it was just so much fun.
Another one I listened to contemporarily was Weird Al's Running With Scissors. This was a weird one for me but also the perfect one for me at the time. I had just enough exposure to mainstream music at the time to know and understand what he was parodying, and enough hatred for mainstream music at the time to laugh at it. Maybe too much hatred and too much laughter. But I really did hate that Offspring song "Pretty Fly for a White Guy" so I doubly appreciated Weird Al mocking it. It was also funny when the Backstreet Boys were in the polka and my little sister's friend got mad about it, "he can't be allowed to do that!!" I think this was the one where he shaved his mustache too, so it kind of signifies the second era of Weird Al or something. Where he was contemporary to me, up to date, and relevant. Yes, those all kind of mean the same thing.
After The Broadways (about whom I wrote very lovingly if you will recall), The Lawrence Arms formed and put out their debut album A Guided Tour of Chicago, featuring two of the members of The Broadways. The Lawrence Arms would soon become my favorite band for several years and are still up there. The debut was a lot more lo-fi than anything else they would do, and that made it feel like a step back from The Broadways at first. Some political songs, some songs of self loathing, it's a decent collection but their second album (coming up in 2000!) is where it's at.
Their peers Alkaline Trio put out their most solid release of all in 1999, the I Lied My Face Off EP. Four songs, all four stars or more in my ratings. Two Matt songs, two Dan songs. They were just on the top of their game, with Matt getting more poetic and Dan reaching the pinnacle of his angry side.
Alkaline Trio "This Is Getting Over You"
It was my college days when I got knee-deep in this melodic punk/"emo" stuff and Piebald was one of my favorite groups in those days. If It Weren't For Venitian Blinds It'd Be Curtains For Us All is probably their best one. I remember seeing them live and how awesomely unkempt the singer's appearance was, all with a white t-shirt and messy hair and scruffy face, and thinking of how awesome that was. Such beautiful music coming from someone who looked like he just walked in off the street. Maybe that's why I always let myself go in the facial (and head) hair department(s). Look up the song "Fat and Skinny Asses" though, because that's the good stuff.
I lost track (and then re-gained very recently) of Brian Moss, the singer for many projects over the years, starting with The Wunder Years. They had a couple releases in 1999. One was a split CD with Sorry About The Fire called On Behalf of Rock n Roll. It's decent, and I love the first track "You Know Who You Are" but the other album is one of those all-time favorites, Pitstops on the Road Less Traveled. Just an album of motivational songs for a high school kid, delivered with high amounts of passion. I hadn't listened to this album in a long time and of course it was another one of those where it came on and I was immediately singing along, remembering those days.
The only cure for cynicism is optimism. Or something like that. In the early '00s I was all down because my girlfriend had broken up with me and I listened to lots of that pseudo-emo stuff (and some real emo stuff!). I went to a show at Tulagi's in Boulder and Dressy Bessy opened (or maybe who I was seeing opened for Dressy Bessy?) I went by myself and I don't even remember who I was there to see. Because the thing that turned me around, changed my life in a way because it was what told me it would all be okay, was this Dressy Bessy set. Just some pure pop sugar to turn me around and show me that it will be okay. Optimism without sounding like something trying to tell me to be happy when I was not happy. I must have just been ready for it. I bought their CD Pink Hearts Yellow Moons and it's always been there for me since then.
Dressy Bessy "If You Should Try to Kiss Her"
Jim O'Rourke put out two amazing releases in 1999. The first was Eureka, and I don't know how to explain how brilliant it is. I'm sure others have been successful at that. But I just think it makes me feel good. It's comforting and the right kind of sad at the right moments. I think "Movie On The Way Down" is what exemplifies it for me, as it reminds me of the scene in Love Liza that uses it. Just the composition and the words it uses. The drunkenness of the horns. How it stumbles around in sadness.
Jim O'Rourke "Movie on the Way Down"
Keep it Like a Secret is arguably the best Built to Spill album. I think I might prefer some of their others, but they scaled back on the jamminess of Perfect from Now On without losing its technical brilliance. Pop music with respectability. Very 90s indie rock. The end of 90s indie rock?
Where do I fit Tom Waits into here? Mule Variations is yet another brilliant work by him, maybe even more brilliant than most of his other work. It starts off lo-fi-ish and pushes out from there. His blues songs have always been on point and the chaos around him splashing around, not overtaking the power of his vocals. I kind of hope one day to have a child listen to this with me and sing along with "Cold Water."
I didn't get into the Flaming Lips until a bit later than '99, even though I know my friend was a fan. But in retrospect, yes, The Soft Bulletin is one of the greatest albums of 1999. Full of songs of hope and hopelessness but trying. Just doing our best and it not being enough. It's sad but from a perspective of persistence. And selflessness. It wasn't until around 2006 that I saw this video but it is just so touching and everything I love about this album contained in a clip.
The Flaming Lips "Waitin' for a Superman"
Notice I called The Soft Bulletin "one of the greatest albums of 1999." That's because, without question, the BEST album of 1999 was a three-CD collection of 69 Love Songs by The Magnetic Fields. Sometimes an artist just has a time period where everything they do sounds just perfect, they're just tapped into this something. And Stephin Merritt took advantage of that by letting it all pour out over 69 damn songs. Sure there's filler, but it's barely any. Just a few silly songs like "Punk Rock Love," a repeating of the lyrics "Punk rock love punk love, punk love love..." Otherwise though, these are completely solid and overwhelming. Romantic, hopeful, sad, sadder, funny, and all very clever. Several perfect songs, as far as I'm concerned. My wife thought "Papa Was a Rodeo" was a cover of an old country song, and I have to think that's because it's so timeless now it's hard to imagine it being new ever. Like that line from Inside Llewyn Davis, that blues songs were "never new and never get old." My friend introduced me to the band with the song "The Luckiest Guy on the Lower East Side," which was funny and true and full of longing and sadness in a happy song. But the first song I actually ever heard by them was the result of grabbing a bunch of songs off a file sharing program in college. I didn't know what to think of it at the time, it wasn't really "rock" so why was it in the "indie rock" section? It sounded like an old song (as usual) and it stuck with me until I eventually figured out who this band was and put the song into context. And eventually, that was the song I danced with my wife to as our first dance at our wedding. No, not "The Book of Love," which everyone uses (even people who don't know who Stephin Merritt is!). This one. Simple but perfect, obvious but not too obvious. A song I love to associate with my marriage.
The Magnetic Fields "Nothing Matters When We're Dancing"
Other Stuff:
Jay-Z's album Vol. 3...Life and Times of S. Carter is okay. It's got "Big Pimpin'" on it.
The debut of !!! and sister group Out Hud was seen on their split EP Lab Remix Series Vol. 2. Very promising (and knowing history, both bands would turn out to be killer)
Goodnight Pavement, Terror Twilight was their final album I believe.
Fat Wreck put out a compilation of 101 30 second songs called Short Songs for Short People. I remember liking it for a few reasons. It introduced me to lots of bands. Blink-182 had a very profane song on it as did MTX. I don't know if anything else really stood out to me other than stuff like "hey cool a Rancid song!" and stuff like that.
Eminem. The Slim Shady LP. I hated him at the time as a crusader against rap and as a budding crusader against homophobia. But why him specifically? Not sure.
Fifteen kind of entered that phase of their career of being super political and more about that than the music with Lucky. But it's heartfelt enough that I still find it somewhat endearing. And at the time I loved it because it was more lessons for me in leftist thought.
Beck's all super funky and such on Midnite Vultures.
I only have a couple songs off The Faint's Blank-Wave Arcade but they are pretty great.
AFI went all goth/dark/whatever on Black Sails in the Sunset, and at the time I dug it. Not super memorable though, 15 years later.
The Roots were still awesome duh.
Dr. Dooom killed Dr. Octagon. I like those Dr. Dooom records. No chorus. Really stupid album artwork. And rhymin' like only Keith can do.
The first Hank Williams III album Risin' Outlaw is a great showcase of his vocals sounding just like his granddad's. Just a small hint of the way he would blow up the whole country music genre in a bit, it's pretty traditional but quite enjoyable.
ODB! Got Your Money!
The White Stripes' debut. I'll save my thoughts on them for a couple albums down the line. But it's good stuff.
I liked a couple songs on the debut Common Rider album Last Wave Rockers. A different side of the OPIV singer, I kind of liked the songs he rapped on and remember thinking "this is the kind of rap I can appreciate." In retrospect, that was very silly of me.
Sigur Ros, that stuff's pretty dreamy isn't it?
More hip hop brilliance: Mos Def's debut album Black on Both Sides was quite the manifesto and a great start (not counting the already brilliant Black Star of course) and Handsome Boy Modeling School's debut So...How's Your Girl? was a nice collection of beats by two of the all-stars of hip hop at the time. With some fantastic guest spots from like likes of Del and El-P.
Gah Les Savy Fav was great too!
No Division was a Hot Water Music album I never got myself, but I always wanted to because I have two songs off it and they are probably my favorite HWM songs, "Free Radio Gainesville" and "Rooftops."
And finally, the debut LP by Blackalicious Nia. Who knew that in a couple years I would discover this group and my entire perspective on hip hop would change? I probably would have actually liked this in '99 if I'd heard it. Very apparent skills on the mic, smart lyrics expressing the same thoughts I've always had, it's just a fantastic album.
Next Time: in the year 2000........(insert your favorite Conan joke here)
Aesop Rock, Alkaline Trio, At The Drive-In...and other letters besides A! Common and Cursive put out some of their best work, Deltron is appropriately futuristic, Enon, The Honor System are the flipside of that Broadways breakup, and my favorite Lawrence Arms album by the way, Ludacris, New Pornographers, Nina Nastasia, Reflection Eternal, Shellac, I get betrayed by The Suicide Machines, Weakerthans, other stuff.
Okay. This was a turning point. Well, the music released in 1996 was a turning point for me, even though I personally did not turn until 1997. But I have a lot to say about some of this stuff so we'll just get started.
Reel Big Fish changed my life. Specifically their major label debut Turn the Radio Off. This album changed everything for me. Because while they were very popular at the time, they turned me on to a whole new scene, one based out of the underground, things I could not hear on the radio or MTV. This whole ska craze, silly as it was, completely changed me. All because I played trombone in junior high band and was excited to find the trombone being used in popular rock music. Plus the goofiness made it easy to get into as a 13/14 year old. It taught me to think for myself. It got me into bands that showed me a new way of thinking. And I probably wouldn't have discovered any of this without the success of Reel Big Fish (or maybe The Mighty Mighty Bosstones, but my brother got that CD so I didn't get into them as much). I remember finding them in the "ska" section of Wherehouse Music, one of those big, fairly corporate music stores. I remember looking at other CDs in that section. I got a compilation called Generic Skaca because it had a Reel Big Fish song I hadn't heard before on it, and that introduced me to another 20 or so bands. Ska got me into punk, which got me into "emo" and then "indie" and then everything. And I owe it to this, my favorite album from junior high. I can't speak enough to how much I loved this album. I tried to figure out the horn lines on trombone. I went and saw them at the Ogden Theater and it was the first concert I went to that was my choice and a band I had actually heard (the first show I had gone to that was my choice was our friend's ska band Area 52 in Fort Collins, but I wasn't so familiar with them). I bought the shirt and put it on because I didn't know any better. I still have that shirt. I still wear it sometimes skiing because it's one of my few long sleeved t-shirts. I saw RBF at Warped tour a year or two ago because my sister won tickets and we decided to go for the hell of it. The majority of the songs they played were from this almost 20 year old album because even they know what the people wanted to hear.
Reel Big Fish "Sell Out"
I never got super into Sublime but I did enjoy their popular songs. Like "Wrong Way." Another trombone part I memorized. And "What I Got" reminded me of the junior high dance when it came on in a censored version, how it didn't matter that it was censored because everyone was singing along with all those f words...
Chumps on Parade was my favorite MU330 album for a long time. They matured quite a bit after this, so it's the more "fun" one featuring plenty of goofy songs like "Rok" and "La," good sing-along songs. It starts with back-to-back punk rock songs under a minute thirty, which really reminds me of seeing them live. They would just bring the energy! And Gerry would bust out the chainsaw and go crazy. I remember talking to Gerry at the Starlight in Fort Collins after a show while waiting for my mom to pick me up. What a crazy thrill that was. He was my favorite since he was in both Skankin' Pickle and MU330, two of my all time favorite ska bands. And Skankin' Pickle called it quits here! The Green Album was their last one! A good mix of goofy and inventive as always. Lots of cover songs on here too. Their cover of "Special Brew" was why I got into Bad Manners once upon a time.
Slapstick was another lightning-in-a-bottle band on the Dill/Asian Man roster that my friends and I got obsessed with. They didn't last long, but what they created was very memorable. Today they're probably more famous for the bands its members would go on to create/join, but the fact that so much talent was condensed into this one skapunk band is pretty remarkable. Brendan's lyrics were a great summation of what it feels like to grow up in Chicago (I assume). Songs about losing friends, riding the bus, and not wanting to grow up really hit home for me (particularly the non-Chicago specific portions). And talking to homeless people. I think Slapstick is the reason my friend and I talked to homeless people in high school. We created some great memories doing that, and somehow managed to not be murdered.
And Less Than Jake! Losing Streak was a big hit for me and my friends. Just a ton of energy and what felt like brilliant lyrics at the time. One of my favorite live bands at the time as well. And I remember when Greased came out (an EP of cover songs from Grease) I looked everywhere for it and finally found it on a field trip to Denver (I think we went to go watch a performance of Macbeth or something for AP English) at Virgin Records or some such big CD store.
Chim Chim's Badass Revenge is the first Fishbone album I got and might still be my favorite. Just the anger and energy it puts off are so cool. Pure funky skapunk or whatever you want to call the genre. Lots of toilet humor because they just didn't care about that anymore. And this song was probably my first instance of appreciating a rap (outside of Weird Al and Simpsons of course):
Remember that whole swing craze that came about around the same time as the ska craze? I was into Squirrel Nut Zippers because of the use of horns again. My friends and I took swing lessons and I can still do the Charleston. But Hot! is a very enjoyable album even today. That's the timelessness of jazz, folks. Even if there was a weird boom in popularity in the mid 90s, that stuff still sounds good today. I remember hearing the song "Hell" on 93.3 which was the alternative or whatever station and the DJ came back on air saying "as in...what the Hell was that?" and I was annoyed that he seemed put off by it because I dug it so much.
I wonder if I had heard Neutral Milk Hotel's On Avery Island at the time if I would have appreciated it because of its use of horns. And the fact that it has a song called "April 8th" and my birthday is April 7th. Probably not. It's a bit on the mature side of things. It would have been badass of me to get into NMH back then though.
Now that that detour is done, let's get to punk, which should probably be right next to the ska but I had to talk about those in that order. The Descendents' kind of reunion or something album Everything Sucks was another favorite. It was funny that Reel Big Fish and The Descendents both had songs called "Everything Sucks" the same year. And they both had albums with that name. But yeah, this is what got me into The Descendents, even though it didn't take me long to get into their back catalog as a result. It's a good thing they didn't mature too much for this album. There are a couple thoughtful songs but most of them are short and silly. And "I'm The One" is a trademark Descendents pop punk girl song that I love.
The Suicide Machines were probably my favorite punk band for a while there, mostly because they incorporated a lot of ska. Destruction By Definition will always hold a place in my heart because of how earnest it is and the crazy levels of energy it has.
And now let's talk about Weird Al again. Bad Hair Day was another one I got when it was new, as all of his albums will be from here on out. "The Alternative Polka" was, despite the fact that I watched MTV and tried to figure out what to like, my introduction to lots of the popular songs of the day. My friend and I made a music video for "Gump" but got in trouble for using my brother's dart gun even though it wasn't loaded. But obviously I get why it was a stupid idea. I also remember watching some New Year's Eve coverage and Weird Al was performing that song and it cut away to The Presidents of the United States of America showing them all stoked on the song, dancing and singing along. I think even now they might still end "Lump" with the "And that's all I have to say about that" line in live performances. Such a stark contrast to Coolio's reaction to "Amish Paradise."
But I think that means it's time to talk about The Presidents of the United States of America. I eagerly got their second album II because it came out and my brother had beaten me to the punch of their first album. I loved this one so much. Dancing around my room singing along, no shame. Probably a good transition to ska in that it was very goofy and easy for a 13 year old to get into. Songs about puffy little shoes, volcanoes, and Tiki gods, I was just obsessed with it. I still have the whole thing memorized even though I hadn't listened to it in forever (6 years, if my itunes stats are correct!). I also remember the hidden track was my first encounter with such a thing because I was so confused about it I had to ask my friends if they had that weird track with the kid talking about basketball on their copy, and I might have even asked the band about it in an email (I never heard back though).
Side note: An example of the same practice with less success was Crash Test Dummies' A Worm's Life. I got it because my brother had their popular album and then this one came out. Turned out to be pretty disappointing.
I never got into Weezer until sometime after these two first amazing albums. Somehow I missed them even though I was watching MTV at the time and my friends were getting into them. But Pinkerton is a very special album that I don't really need to elaborate on because I feel like everyone already knows. Everybody knew before I did. But "El Scorcho" went on many mixtapes anyway. And then "Falling For You" for who is now my wife, because of course it did.
My first official "guilty pleasure" when I was into ska and punk and whatnot was what I assumed was just pure pop: "Lovefool" by The Cardigans. I didn't realize it was a respectable pop, a Swedish alt-pop sort of thing. It was just so catchy and I was slightly embarrassed that I loved it so much. Eventually I got the CD First Band on the Moon and yeah, it's pretty awesome.
The Cardigans "Lovefool"
I guess that takes me to other such indie minded things. Brainiac (a.k.a. 3RA1N1AC) were as indie minded as you could get I think. About as creative and outside thinking as rock and roll gets. It sucks that their career would be cut off so prematurely after just an EP more, but Hissing Prigs in Static Couture is probably their definitive statement. The levels of distortion on the vocals, the weird effects they put the guitars through, there is really nothing else like this. When I discovered Brainiac (a good 8 or so years later) I remember being disappointed that they weren't more influential, that others hadn't really taken on this sort of sound (Enon did it to a degree, and I do love me some Enon, but that doesn't count since it's the dude from Brainiac). I guess maybe others wouldn't be able to particularly pull it off. Here's a song that to me is a classic dance track, in its own unique way.
3RA1N1AC "Pu55yf00t1n'"
Belle & Sebastian put out a couple in '96. Tigermilk was a fine debut, but If You're Feeling Sinister is just next level. So much heart-on-the-sleeve. So comforting. And heartbreaking at the same time. This might be my favorite Belle & Sebastian track. (Sorry I didn't write much here, it's just getting so long and I'm running out of juice!)
Belle & Sebastian "Seeing Other People"
WHY HIP HOP SUCKS IN '96
I hated hip hop in '96. That hatred would continue for a good 4-5 years. But at this time obviously I didn't know about all the great stuff that was out. I was very closed minded about the stuff too. I wouldn't have appreciated Reasonable Doubt, the fantastic debut of Jay-Z, even though it is of the highest quality. It was just talking and rhyming. For some reason I even made fun of hip hop for having so many tracks featuring other rappers. Like collaboration is anything besides awesome. On some church retreat thing me and the other punk rock kids declared our group "Team Outkazt" (or some such spelling) because we were such outcasts...and then were disappointed that there was already "some rap group" called Outkast and how could someone that does such a popular form of music as rap be an outcast? I really didn't get it. But ATLiens is a beautiful thing that, if I had given it a chance, I would have probably gotten really into it. Not anything like the crap on the radio. Spacey sounds, smart wordplay, delivery that absolutely requires more than what I made fun of. Ah well. Eventually I got it. Similarly spacey and sci-fi based was Dr. Octagonecologyst featuring Dan the Automator and Kool Keith. Hip hop from the future, man! And then The Roots, Illadelph Halflife. Man. This.
The Roots "No Alibi"
Let's see, other hip hop. The Fugees' The Score is pretty brilliant. DJ Shadow's Endtroducing is a whole different thing. Instrumental hip hop. DJ mastery. Even when I got it because I was open minded 10 years later for some sort of anniversary reissue, it took me a while to get into it. But this time it just felt right to listen to it. De La Soul's 1996 album Stakes Is High seems like if I were to open my mind just a hair I would have appreciated it. It's very smart, criticizing the very aspects of mainstream hip hop that I held against the whole genre.
And of course Tupac'sAll Eyez On Me came out in 1996 shortly before his death. I remember when he died a skater guy in my class who was into hip hop was very upset about it, saying it was like losing a member of his family. I didn't get it then, and while today I'm still not as interested in Tupac as other hip hop, I can recognize the talent and travesty of it all.
Also Noted:
Archers of Loaf's All the Nations Airports is another fantastic one from those dudes.
The Age of Octeen by Braid. Neat!
Odelay! What a hugely influential album. I should give it a full paragraph but this thing is so gigantic and it wasn't that big of a deal to me at the time so I'm just putting it here. I just liked the videos and didn't get the actual album until much later. I wasn't ever really a Beck devotee, just an appreciator late to the party.
It Was Written is another quality Nas album...
I didn't get the Refused album Songs to Fan The Flames of Discontent until a couple years ago when they did their reunion tour and I only knew the fantastic The Shake of Punk to Come, so I figured I should know more before seeing them live. STFTFOD turned out to be pretty damn spectacular on its own.
The "Sordid Sentinels Edition" of Wowee Zowee by Pavement has some great bonus tracks, including what may be my favorite Pavement song of them all: "Give It A Day."
Beautiful Freak by Eels is this old? Damn. Such a good album though. And the song "My Beloved Monster" reminds me of walking my dog around an old apartment complex we used to live in.
Experiment Zero was one of my favorite Man or Astroman albums that I only had on vinyl for the longest time.
My friend and I used to obnoxiously sing "Popular" by Nada Surf during soccer practice, not really getting the irony of the song and thinking it was stupid but still catchy. Then I got it. Then years later I found out they are actually a very good band! I like the album High/Low quite a bit, it does a really good job creating and retaining energy. I used to think some of those builds should be used by a harder band as a way to bust into something screamy, but now I think it works best as it is.
Maniacal Laughter is the other early Bouncing Souls album that is great fun.
The Modest Mouse songs from the Building Nothing Out of Something album (a compilation of 7" songs) of 1996 include the ones from one of my favorite 7" records I own: "A Life of Arctic Sounds" b/w "Medication." Two of my favorite Modest Mouse songs for sure.
The same year as all that Slapstick I already have a couple Broadways early songs. I'm excited about those ones!
"Criminal" by Fiona Apple was another guilty pleasure type of song for me, but I think mostly for its music video. Rawr!
Being There shows that Wilco was already very amazing very early on.
I need to listen to This Is a Long Drive for Someone with Nothing to Think About more. Not my favorite Modest Mouse album but since I so love the surrounding singles I probably just need to give it some more attention.
I mildly got into Goldfinger. Mostly for their associations with Reel Big Fish. And the ska songs. And how silly some of the songs were.
No Code by Pearl Jam was maybe the last of the pre-ska CDs I got. I got it when it came out and the packaging was really neat but I didn't particularly care for the music that much.
Gah and Johnny Cash! American II: Unchained! He was on a hot streak!
Double Happiness by Slow Gherkin brought back tons of great memories. Even though I've always thought of the album as sort of a hodgepodge (the next album would be much more cohesive), it is full of great songs that invoke great memories of great friends at a great time in my life.
The Welcome To The Dollhouse soundtrack featured Future Bible Heroes! I love that movie. Todd Solondz is brilliant.
Next Time:
1997 was when I actually officially became a ska devotee (all of the 1996 stuff I wrote about I listened to in 1997-1998). So we've got The Bruce Lee Band, Buck-O-Nine, Hippos, The Impossibles, two Link 80 albums, the Bosstones, MU330, Mustard Plug, and more of that.
...And other stuff like Ben Folds Five, Beulah, Blonde Redhead, a Bob Dylan comeback thing, the last EP from Brainiac, Cartoon Planet lunacy, Chemical Brothers, Cornershop, Daft Punk, Elliott Smith, two Hot Water Music albums, Les Savy Fav, Missy Elliott, MTX, Murder City Devils, B.I.G., The Offspring, OOIOO, Sleater-Kinney, Tuesday, Wu-Tang, and a seminal Yo La Tengo album.
When I was little I was good friends with my next door neighbor Ryan. When we were little we used to brag about arbitrary things. One of these things was how old our siblings were. When I asked how old his older brother was he held up all of his fingers. Ten! That's so old! And then in 1993 I turned ten.
This entry feels like it marks a turning point where it's mostly going to be about memories of music because apparently the music released in 1993 had a lot of influence on pivotal moments in my life over the 10 years or so following.
Technically my first CD was Meat Loaf's Bat Out of Hell II: Back Into Hell and I really don't know why. I didn't pick it out. I don't have it anymore. I think my parents got it for me but I don't know why they picked it. Not that I was easy. I kept saying I wanted a CD player but all I listened to was Weird Al so they'd ask me what music I would get if I got a CD player and I had no idea. At the time all I wanted was to have the technology. I think part of my now-obsessive relationship with music is to make up for that and prove that I was right, that I really needed that CD player. I think I got it for Christmas 1993? Based on the Meat Loaf release date and the not-sureness of my Alapalooza format (see below) that makes sense that I would have gotten it at the end of the year.
It's a bit fuzzy but I think Alapalooza is the first Weird Al album I got on CD (now I can't remember if I actually had it on tape instead) and it was definitely the first one I got when it was new. It opens up with "Jurassic Park." That movie made me a Michael Crichton fan and I remember going to see it with my mom even though it was PG-13 and I was 10. It was scary! Let's see, what else about this album? In music class we had an activity where you click PVC pipes together while someone jumps over them to a beat (I'm not sure how to describe it without taking another whole paragraph so deal with it). The teacher said we could bring in music from home to do that to. We brought Alapalooza wanting to do "Jurassic Park" or "Bedrock Anthem" or something but the teacher said they didn't have enough of a beat (or in the latter case, probably too fast of a beat) but said "Traffic Jam" would work. I think we said no deal to that. I liked "Achy Breaky Song" because I agreed that "Achy Breaky Heart" was terrible. I'm going to pretend I think that Pitchfork got its name from this song's line "I'd rather have a pitchfork in my brain." "Bohemian Polka" took some guts but it was pretty fantastic. In addition to the CD, I got a VHS tape called Alapalooza: The Videos and I dug this claymation music video, particularly what happens to Barney:
"Weird Al" Yankovic "Jurassic Park"
A year later was 1994 and I know I got a World Cup '94 soundtrack album. Why am I not talking about this next time? Because all I was going to say was there was a silly song by James called "Goal Goal Goal" that I quite enjoyed at the time. A few years ago I acquired quite a bit of the James catalog and discovered it was a rework of the song "Low, Low, Low" from Laid. "Laid" is a pretty great indie pop rock whatever song too by the way. but "Low, Low, Low" now makes me laugh because I remember "Goal Goal Goal" and its cheesy lines like "He was never ever ever offside." Maybe if I remember (I don't have the World Cup album in my collection anymore so it won't naturally come up here) I'll post the video in the 1994 entry. It's another World Cup year, you know.
I listened to a lot of early 90s ska/punk in the late 90s. My super cool brother got the contemporary popular albums like Let's Face It by the Mighty Mighty Bosstones so I naturally got the punker back catalog stuff like Don't Know How to Party. I remember thinking the trombonist was super cool (because he was super cool and also because I played trombone). And the hardcore moments they did were (at the time) the hardest music I listened to. But I preferred the ska side of the ska-core. I also had their EP Ska-Core, The Devil, And More which consisted mostly of covers but I still preferred the original song "Someday I Suppose." and the Bob Marley cover "Simmer Down" featuring a vocal turn by said super cool trombonist. The hardcore covers were my unwitting intro to Minor Threat though, which made me appreciate that more when I got it, since I already knew that song.
The other big ska albums that came up were Marbles by King Apparatus (I like King Apparatus because it reminds me of a ska version of Elvis Costello...take that as you will. I think the songwriting style is similar in a way I can't put my finger on) and Big Daddy Multitude by Mustard Plug. Mustard Plug was a band that I grew up with musically, and while Big Daddy Multitude wasn't the one that got me into them, it was the soundtrack to many fun days in high school. Including the song "Mr. Smiley" which we (very loosely) based a movie on back when my friend Bryden and I would make movies on dance nights. It was our tradition as dateless wonders, you see.
Do you have that one album that, for better or worse, takes you back to a very specific person in your past, a very specific location and time? Of course. There are many of those. But the one that hits so hard and so personally that you can't really listen to it? I used to have that with Pablo Honey by Radiohead. Used to? That sounds anti-nostalgia or something. But that one used to hurt and I didn't even rip it onto my computer (that I've had since 2005) until recently when I figured I should put myself through it for the sake of this project. In 2000, the album brought me immense joy to hear. In 2002, it helped me through some lonely times and then became my go-to moping album. Tears were shed over it. In 2004 I couldn't listen to it anymore. And I didn't for about 10 years. Today it turns out I can listen to it pretty objectively as long as I'm occupying myself with something else while it plays. Other than a few songs. Mostly the good songs are the ones that persist. "You." "Stop Whispering." "Thinking About You." "Anyone Can Play Guitar." Etc. About half of the album is pretty forgettable in my opinion and in my experience. But the good-to-great songs are some of the better grungy songs of the day. Still just a small hint of what they would do one day.
It turns out I listened to a good amount of 1993 music in 2003. Another go-to mopey album was Diary by Sunny Day Real Estate. When I got it my other point of reference for emo was Bivouac by Jawbreaker, and I was a little disappointed that Diary wasn't heavier. But now it sounds just perfect to me. I hadn't listened to it in several years but it turns out it stuck with me pretty damn well. Another album I listened to in 2003 when I wasn't moping was Get Fired by The Smoking Popes. I like this one because they hadn't sanded off their rougher edges and it has such a cynical feel throughout. And the original version of this song was empowering to me getting over a breakup and stuff...
The Smoking Popes "Can't Find It"
It was probably around this same time that my future wife was listening to Archers of Loaf. I happened to have "Web in Front" from a random download spree from college and it happened to come on once when she was there and she was very excited because she remembered that song and liked Archers of Loaf quite a bit. Eventually because of this I would get a few Archers of Loaf albums, the first of which was Icky Mettle. I like the whole album for different reasons than "Web in Front," mostly how hard it rocks. But still. This song.
Archers of Loaf "Web in Front"
There was also stuff happening that I don't particularly have memories of. Siamese Dream by The Smashing Pumpkins is a pretty good middle ground between Sunny Day Real Estate and My Bloody Valentine. Not that I need to attempt to describe their sound because everyone knows what they sound like. But I made that correlation the other day listening to this so I thought I'd share. I have some stories about The Smashing Pumpkins but they are more related to Mellon Collie and the Infinite Sadness so I'll share those in the 1995 entry.
Vs by Pearl Jam was one I got for my birthday one year, which must have been around this time (probably my 1994 birthday though). It was cool because it was the first time I got music from a friend. So I knew it had to be what I should be listening to as a young person growing up. But it turned out I didn't particularly enjoy it. I liked "Daughter." And "Leash" was amusing because it sure didn't sound like he was saying "Get out of my lucky face." But I just couldn't get into it when there was so much Weird Al to listen to, you know?
I was barely aware of the existence of Nirvana in 1993 but I do remember seeing them on Saturday Night Live playing "Heart Shaped Box." I remember distinctly how Krist Novoselic jumped around for the performance. Looking at wikipedia, that was the same episode Charles Barkley was on. That one cracked me up.
Nirvana "Heart Shaped Box"
I remember this cool guy in my class named Chris liked Nirvana. I just wasn't cool enough to like that kind of music yet. But in retrospect, In Utero is a pretty awesomely bold album. It's dirty and messy enough as it turned out, but I really want to hear the "unlistenable" version Steve Albini came up with. But at the moment all I have is the commercial version. After In Utero comes MTV Unplugged in New York, which seems like the perfect cap on the band's short run.
After the break-up of the Pixies, we got Frank Black's debut solo album Frank Black. I like Frank Black solo stuff for what seems like a completely different reason than why I love the Pixies. It's good in its own way. Let's just say that. But it ain't the Pixies. And their recent reunion album sounds more like Frank Black than the Pixies. Whatever similarities people draw between this and the last Pixies album seem trivial. What they did is over. Last Splash by The Breeders, on the other hand, feels a little bit more magic to me (but still for different reasons than the Pixies). It's the instrumental aspect, I'm more interested in clever sounds than lyrics. The Breeders have more clever sounds than Frank Black I think. Fair enough?
Math rock, the natural progression of crazy instrumentation and hardcore, was coming along nicely, as I have a few Don Caballero singles that rock me very hard and happily, and Polvo's album Today's Active Lifestyles. That one's pure math rock perfection right there. But when it comes to screwing around with the formula for hardcore, Brainiac got it just right in my mind. They would go on to go even crazier, but Smack Bunny Baby is a great jumping off point.
Brainiac "Draag"
Was hip hop the best music being made in the early 90s? It's hard for me to say because I'm a rock kid at my core and these albums listed above are pretty great. But the hip hop continues to just be phenomenal from these days. Obviously De La Soul and A Tribe Called Quest continued to kill it. But No Need For Alarm was my original exposure to Del the Funky Homosapien (not counting "Clint Eastwood" of course, when I didn't know who he was) and one of the first hip hop albums I ever bought. I was highly impressed by the lyrical gymnastics and bouncy sound of his vocals. I still am, particularly on this album. He's a good early MC to listen to when getting into hip hop for the first time with how playful/ridiculous the whole thing sounds and it holds up now that I've been exposed to much more hip hop.
The fantastic fusion of hip hop and jazz on Guru's Jazzmatazz, (featuring live jazz musicians!) as well as Digable Planets' Reachin' (A New Refutation of Time and Space). I first heard Digable Planets when I asked my then-girlfriend to tell me what hip hop to listen to as I tried to open my mind to it. I enjoyed and then got sick of "Rebirth of Slick (Cool Like Dat)" and kind of stopped thinking about them until Shabazz Palaces came along a couple years ago and blew my mind. That's when I knew I had to give Butterfly's earlier project another go. I can dig the Digable now, although the amount of positivity is almost too much for me sometimes.
On the opposite side of the spectrum, KRS-One was going hard and solo on Return of the Boom Bap, and of course Wu-Tang Clan's debut album Enter The Wu-Tang: 36 Chambers remains one of the most raw, energized, solid-from-front-to-back albums of all time. I tried to have it come on during my 10k the other day but my ipod messed up and it didn't happen. I kind of feel like I would have done better if I had Wu-Tang soundtracking the thing.
Wu-Tang Clan "Da Mystery of Chessboxin'"
I think that's the best place to end things.
Other Stuff:
The first track to come up was "Shoop" by Salt-n-Pepa. Is there a better way to say "Are you ready for 1993?" than that song? I doubt it.
Those early Rivers Cuomo recordings from that Alone album are pretty sweet previews of the Weezer to come. Including an early, slower version of "Buddy Holly!"
The Nightmare Before Christmas soundtrack! Very enjoyable. My friend in high school was obsessed with Tim Burton (I know he didn't direct this but still) and we very un-ironically loved this movie. But now that makes us seem like Hot Topic kids or something because don't they still love this movie? I assure you, this was before Hot Topic was a thing.
Another Saturday Night Live performance I kind of remember is Billy Joel playing "River of Dreams."
Liz Phair's Exile In Guyville is great btw
Flaming Lips' Transmissions From The Satellite Heart has that big hit song about doing stuff your own unique way "She Don't Use Jelly."
Mercury Rev is still pretty Flaming Lips like in 1993, maybe with a smattering of Yo La Tengo...but not quite as great as those two bands. Good thing I know how much better they get!
Fugazi's In On The Kill Taker is another great one from the band that really didn't make anything non-great.
Mekons' I Love Mekons includes one of my favorite Mekons songs, "I Love Apple." It's a good album that has a few songs with that great 70s punk energy.
The morning of the evening I wrote this, I listened to some Simpsons stuff from 1993 including the "Monorail" song. And the day of the evening I wrote this was the anniversary of the day that Phil Hartman passed away. That made me sad.
People born the same year as all this music can now legally drink. Let that one sink in, grandpa/grandma!
Next Time...
You thought I had a lot to say about 1993? There were only 551 tracks for 1993. 1994 has 803. I'm going to have to start editing better! Lots of stuff turns 20 this year.
Ill Communication. Beck. Blur. Built to Spill. An album called Dookie. Jawbox. Jeff Buckley. Big Johnny Cash comeback. Two classic Magnetic Fields records. Wu-Tang solo stuff begins. Lots more skapunk. Nas debuts. The Downward Spiral. A pretty darn good NOFX album. The Notorious B.I.G. Oasis. Outkast. Rodan. Rancid. Weezer. And a classic non-album track by "Weird Al" Yankovic.
And a ton more that I didn't bother typing. This will take a while.
I think I remember watching the olympics in 1992. Not sure what else happened. The gulf war happened. And growing up and whatnot. Lots of music came out. Eventually, I would discover lots of it. And here I am, rediscovering or whatever. But again, let's start with "Weird Al" Yankovic.
Off The Deep End represents a transition to me. 1992 must have been around the time I was really getting into Weird Al because most of his music was pre-existing when I did so. But then my friend Bryden had his brand new album. I think it took me a while to get this one personally. Just listened to it at his house. I think it was the first Weird Album I got on CD too as opposed to tape. So what of the content? Well, the famous "Smells Like Nirvana" was my first exposure to Nirvana. Which is a fine way to be introduced to them I think. "Trigger Happy" was a song I listened to a lot last time the gun control debate got all fired up. "I Can't Watch This" tells me that MC Hammer must have been popular around this time, which gives me some context for the less cool hip hop of the time. Overall though it's kind of an average Weird Al CD. With some great standouts.
Another quick hip hop rundown! Beastie Boys Check Your Head. I guess this had them playing their own instruments for the first time since the early days so that was the big deal there. There's no insano production on this, a few showy instrumental tracks, and a lot of fun attitude. Like they are known for. Yep. Bizarre Ride II The Pharcyde may have been my favorite hip hop album of 1992 because it's so gleefully weird. Like...bizarre! Is it wack? Is that was Del was rapping about when he rapped about wack MCs? Whatever, I dig it a lot.
The Pharcyde "Officer"
Gang Starr's Daily Operation had one of the greatest DJs ever in Premier. So did Pete Rock & CL Smooth. Mecca & The Soul Brother. My buddy raves about this album and for good reason. The beats are pretty amazing and overall it just kind of reminds me of the natural progression from Paid in Full. Speaking of them, I hit another Eric B & Rakim album Don't Sweat The Technique. Rakim hits a little harder this time and got political. Like on "Casualties of War" about PTSD. There was a war going on, wasn't there? A little one called Desert Storm. The several tracks across different genres addressing this reminds me of that war. As a pre-political 9-year-old I didn't know much about it and today it seems quaint compared to the more recent Iraq war, but it sucked for many people.
So that takes us to punk rock, which also had a lot to say about Desert Storm. Fifteen's album Swain's First Bike Ride feels like the new hippie movement or something to me. Tons of songs about loving your neighbor, nonviolent revolution, etc. Very idealistic. Bikini Kill's first record (I have it in the format of "The C.D. Version Of The First Two Records" but this was the self-titled EP) had a lot to say in the era of malls and whatever else stereotypical girls were doing in this time, making "Double Dare Ya" that much more poignant. Back to Desert Storm, Skankin' Pickle was still the goofiest band around and had "The Hussein Skank" on Skankin' Pickle Fever. Not a very political take on the war. They had a few political songs but continue to be remembered for the goofy stuff like "Pseudo Punk," "Whatever Happened," and of course "I Missed The Bus," which is a way better song about missing the bus than Kris Kross.
And Green Day! Those guys. I got Kerplunk after Insomniac was popular. I think I had a gift card to Best Buy so I got that one. I remember getting it because it was a Green Day album my brother didn't already have. In retrospect I can say that it is proof that they've always done catchy punk pop songs and people couldn't justifiably call them sellouts for Dookie. At the time though I mostly just got amused by the joke song "Dominated Love Slave" and liked the cover of "My Generation."
Plays Pretty For Baby by Nation of Ulysses is a very strong, hard album that seems like the midpoint in the path from Gang of Four to Refused. Maybe closer to the side of Refused. Anarchy, hardcore, post stuff, passion. I can't find "Last Train To Cool" on youtube but seek it out. Seek out this whole album. I don't know if I'm in the minority, but I put Plays Pretty For Baby over 13 Point Program in my NoU rankings.
Enough serious punk rock, NOFX were (are still?) the kings of jackass punk rock. White Trash, Two Heebs & A Bean takes me right back to high school. There are some decent straight up punk rock tracks (but Punk in Drublic is better for that purpose) but mostly this album is memorable for its jackass tracks. "Bob" about a guy going straight because his liver is shot, set to a ska beat. A Louis Armstrong style cover of "Straight Edge" by Minor Threat (so dripping with irony). Etc. Etc. And this song, which is probably the snarkiest thing they did.
NOFX "Please Play This Song On The Radio"
What about the super serious punk rockers? Or emo rockers? Bivouac was always my go-to Jawbreaker CD. I never got 24 Hour Revenge Therapy so Bivouac was mine. Very solid, some feel good tracks and some feel bad tracks. I also got it in the midst of a breakup. So kind of my go-to emo album as well.
OK how about Pavement? They made their big debut here. Slanted & Enchanted is a brilliant indie rock album that is so 90s indie rock. My brother got me into them soon after he went to college. Full of great mixtape fodder like this one.
Pavement "Here"
I think diRty is one of my favorite Sonic Youth albums as far as catchy noise goes. It's a catchy one, that's for sure. Were they getting popular around this time? Asking for a friend.
Pulp was really starting to get to be a great band around this time. That is a baseless accusation about their earlier work. I did enjoy the earlier songs I have. But here's where "Death Comes To Town" (and remix "Death Goes To The Disco") come in. A song I was told to put on a dance mix back in '04 or so and have been obsessed with ever since. Separations is the album. Those are bonus tracks though. Separations is great too though.
Pulp "Death Goes To The Disco"
What about those veterans? I've already written so much about them but they had to go and keep putting out solid stuff!
Neil Young's Harvest Moon is one of his best, maybe his best of the 90s. I need to give it more spins. But opening track "Unknown Legend" holds a special place in my heart because Tunde Adebimpe from TV On The Radio sang it in the movie Rachel Getting Married and my wife is from a small town too.
Tom Waits' Bone Machine. My one thing about this album is that it shares its name with a Pixies track. Not sure if that's a coincidence or what. But the album! So great! I can't even figure out how to write about it! But for someone who has put out so much gold, this one manages to stand out as one of his best.
Sorry about all the super short paragraphs about brilliant albums. It's getting late.
Other Stuff:
Friday I'm in Love. Apparently The Cure were still at it, making giant hits and stuff.
R.E.M. continued to push boring 90s rock forward. "Everybody Hurts" is so ridiculously sad it's almost funny though.
A sound clip from Army of Darkness came up. Crazy that that was 1992. I didn't get into it until around '97 but one of my all time favorite movies!
Thanks to Going Simpsonic With The Simpsons, I know that the softball episode aired in 1992. A long time favorite.
There's Rage Against The Machine, doing their thing being pissed off about war as well.
I have some Don Caballero material from 1992 thanks to the Singles Breaking Up collection but I don't yet have much to say about it. Quintessential math rock.
"Damn It Feels Good To Be A Gangsta" speaks to me as a white collar white male working in a corporate environment. Thanks, Office Space!
Somewhere Between Heaven & Hell was my first Social Distortion studio album back in the day. It confused me because I thought it'd be more punk rock. Still enjoyable to this day though.
My first instance of the Flaming Lips! Good spacey indie rock that would be developed and developed more and more.
Next Time...
I might be a minute. I just got some more new stuff that I need to listen to at least a couple times to fully appreciate. Tune-Yards, Cloud Nothings, Lykke Li, The People Under The Stairs...artists that will eventually come up in this thing but it'll be a while still. Here's what's 1993 though:
Indie: My wife got me into Archers of Loaf. Thanks, Wife! Brainiac rules too. Mercury Rev is great. Polvo. Smoking Popes actual album!
What do you mean "alternative?": An iconic Breeders album. The Flaming Lips break out!Nirvana bows out. Some band called Radiohead debuts (I might have a thing or two to say about this album on a personal level). Pearl Jam, Smashing Pumpkins, whatever. Frank Black goes solo!
Punk?: Fugazi is still amazing. Man or Astroman? I do love Mekons. Mighty Mighty BossTones! And Mustard Plug (ska punk is really rolling!). Emo is extra emo with Sunny Day Real Estate.
Hip Hop Still Golden: De La Soul continues. So does Del. Digable Planets debut! Did you know A Tribe Called Quest released a landmark album on the same day as Wu-Tang Clan?? Guru is already going jazz? I didn't realize he did that so early in his career! KRS One goes solo.
mp3s are for sampling purposes only. If you like what you hear, support the artists using the links provided. If you are the owner of any of the songs I share, you can email me at brandon.horning@gmail.com and demand immediate removal, and I will comply! Otherwise, they last for one week.
An Ear For An Era Playlist!
Check out a spotify playlist of the stuff I post in the An Ear For An Era feature!
